Jay UF – Still The Same.

Source: Emcee Kerser Youtube

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Jay UF – Wanna Let You Know

Jay UF – Wanna Let You Know
ABK Records crew is proud to present Jay UF’s second album Fight or Flight (ADA / WARNER) dropping Sept 6th 2019. Available to pre-order now across all digital streaming and download sites.
Pre-order now on iTunes to get early access to this lead single ‘Wanna Let You Know’.

https://music.apple.com/au/album/fight-or-flight/1475631730

Source: Emcee Kerser Youtube

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Hi Melbourne 👋. I’m here to play with The Bamboos tonight at the Recital Centre. Come thru!

Lucky to call Jayteehazard my touring DJ, a collaborator who enhances our performances and literally holds me down. His own releases are mad, they don’t get enough attention imo. In addition he makes his own videos – have a look at this animation visualiser he created for newest song Drown. I mean, seriously?!! The guy is a genius. Show him some love and don’t be shy. Life is too short. See More
Source: Urthboy on Facebook

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Kerser – Can’t Dispute It

Kerser – Can’t Dispute it. (Published August 8th Aus date)
Produced, Mixed, Recorded by Open Till L8.
Filmclip – Rivercity Multimedia

Source: Emcee Kerser Youtube

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You Are What You Haven’t Done – Tim Levinson, Urthboy

If you know your local hip hop culture from the early 2000s you’ll remember Mark Pollard, a young journalist who created Stealth Magazine. Years later he moved to NYC and into advertising and communications and he’s someone I’ve admired forever. It was a pleasure to sit down and talk for an hour about art and what motivates me when I visited New York last month. I talked about untangling right and wrong and aspiring to be a yes man (for reasons that aren’t what they may seem). He put it up on his Sweathead podcast you can listen to here

Source: Urthboy on Facebook

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Reasons I’m looking fwd to performing with The Bamboos in Melb:1. The Bamboos at Melbourne Recital…

If you know your local hip hop culture from the early 2000s you’ll remember Mark Pollard, a young journalist who created Stealth Magazine. Years later he moved to NYC and into advertising and communications and he’s someone I’ve admired forever. It was a pleasure to sit down and talk for an hour about art and what motivates me when I visited New York last month. I talked about untangling right and wrong and aspiring to be a yes man (for reasons that aren’t what they may seem). He put it up on his Sweathead podcast you can listen to here See More
Source: Urthboy on Facebook
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L-FRESH The LION

Alchemy. Music video. Out now

Stream/buy Alchemy here: https://smarturl.it/lfresh_alchemy

Video credits
Director – Zig Parker, L-FRESH The LION & Joseph Parma
Producer – Zig Parker & L-FRESH The LION
DOP – Casimir Dickson
Lighting & Gaffer – Matt Willis
Editor – Joseph Parma
BTS Photo & Video – Christopher Woe (IG @christopher_woe)
Storyboard Art & production assistant – Tyrone Eastlake (IG @rones.art.ink)

Cast
Groundskeeper A – Ron McCormick-Taylor
Groundskeeper B – Chris Zammit
Superfan – MK-1
Mirrah

Special thanks to John Tzortzis and family for their presence, support and car: ’71 Ford Falcon XY GT.

This video was filmed with the support of Campbelltown City Council at the Campbelltown Sports Stadium.

Source: Urthboy on Facebook

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Sampa The Great Announces Debut Album ‘The Return’

Sampa the Great announces her debut album ‘The Return’ along with brand new single and video “OMG”.

“OMG” follows the recently released single “Final Form”, which was hailed as Zane Lowe’s ‘World Record’ and received incredible support from the likes of The Guardian, OkayAfrica, The Independent, Clash, gal-dem and many more. It was also the #1 Most Played track on Triple J the week of release, and was championed by Ebro Darden (Beats 1 / Hot 97), Annie Mac, Mistajam & DJ Target (Radio 1), Gilles Peterson & Lauren Laverne (6 Music), Jason Kramer & Anthony Valadez (KCRW), John Richards, Larry Rose & Atticus (KEXP), and more and more.

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On ‘The Return’ Sampa has enlisted a string of esteemed collaborators and peers to create the album. Mixed by Jonwayne (of Stones Throw notoriety), MsM (Skepta/Boy Better Know) and Andrei Eremin (GRAMMY-nominated engineer for Hiatus Kaiyote and Chet Faker), productions are by Silentjay, Slowthai producer Kwes Darko, Clever Austin (Perrin Moss of Hiatus Kiayote), Blue Lab Beats and Syreniscreamy. The album also features collaborations with Ecca Vandal and London jazz collective Steam Down. Many of them are the fruits of the network Sampa has built since first making waves in 2015 – following time spent studying in San Francisco and LA – as a new arrival in Sydney’s hip-hop and jazz freestyle nights. Since then, she’s performed with Denzel Curry on his breakout track “Black Balloons” for Triple J’s ‘Like A Version’, and toured globally, supporting the likes of Kendrick Lamar, Ms. Lauryn Hill, Thundercat, Joey Bada$$, Hiatus Kaiyote, Noname, Ibeyi and Little Simz.

Built on four years of personal and musical soul-searching, ‘The Return’ is an assured statement, the product of meaningful musical connections and of Sampa having to redefine her self-identity away from the comforts of family and old friends. With reference points ranging from classic hip-hop to ancient Southern African sounds, the album sees Sampa tackle bigger questions, exploring what it means to feel at home, to feel excluded, and to see someone as an outsider. It stems from the rift Sampa has experienced in the rise of her career, where she’s celebrated as part of a new generation of musicians – with her last mixtape ‘Birds and the BEE9’ winning the prestigious Australian Music Prize in 2017 (she shares nominations with the likes of Tame Impala, Jordan Rakei, King Gizzard & the Lizard Wizard, and previous winner Courney Barnett) – while at the same time still being seen as an ‘other’.

On “OMG”, she addresses ideas of ‘home’ through the exploration of her African heritage: “I personally feel that people on the continent have a duty to our family in the diaspora, to re-teach our culture, language, spirituality, ways and return our peeps to ourselves,” she explains. “To me ‘OMG’ sounds like the songs we heard in our childhood. It’s broadly about flexing your culture! Loving where you’re from and even being shocked at the realisation of not knowing how dope it is to be ‘who you are’.”

The video was shot between South Africa and Botswana, where she was raised and gave Sampa the chance to involve her parents in her world. “I got to do something that I’ve never done before,” she says. “Which is to have my parents in one of my music videos. This is the first time they have been involved in my music at this level and it was important for me to express accepting and flexing my culture with the two people who know me most!”

This, for Sampa, is what she’s been trying to do for the past six years: to find new ways of feeling at home and rediscover an emboldened idea of herself. “Home is described in a lot of ways and means a lot of different things to different people,” she says. “I had to redefine in my mind and in my spirit what home means.” The album is both a re-telling of that journey, and the realisation of her aim; the album walks us through that return to home, while the accomplished sound and lyricism underscores the steps she’s made as a person and artist.

Following recent live performances at Glastonbury, Love Supreme Jazz Festival, Dark MOFO (Tasmania – alongside FKA Twigs, Kelsey Lu, Nicholas Jaar), Down The Rabbit Hole (Netherlands) and a headline show at Hip-Hop Collection (Paris) – Sampa plays alongside Sons Of Kemet at Somerset House on July 13th, before joining Burna Boy – recent recipient of the BET Best International Act award – in New York’s Prospect Park on July 19th plus headline solo shows at Elsewhere in Brooklyn on July 18th and Gold Diggers in LA on July 22nd. She returns to the EU in November for a headline tour that includes XOYO in London, as well as stops in Manchester, Bristol, Paris, Amsterdam, Berlin and more.

‘The Return’ is out September 13th on Ninja Tune.

Source: AllAussieHipHop.com

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Melbourne Writers Festival – Program

The lineup of artists on this Duets series for Melbourne Writers Festival is outrageous. I feel honoured to be amongst it, and talking to my friend Ecca Vandal, an artist I admire heaps. Moderated by my mate Sosefina Gwendaline, it’s going to be fun! I think? I’m excited about it. Come along.

Source: Urthboy on Facebook

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REMI – 5 A.M. feat. Whosane

REMI’s sophomore LP Divas and Demons was independently released through REMI’s own label imprint House of Beige Records, soon nominated for an ARIA Award and given 4.5 out of 5 stars labelled “A landmark release” by Rolling Stone Australia. The Triple J Featured Album included the widely loved singles “For Good” featuring Sampa The Great, “Substance Therapy”, and “Lose Sleep” featuring Jordan Rakei, and became the duo’s first official ARIA Top 10 record.2018 saw their most recent single release “My People” featuring Thando arrive, a celebration of those closest to them that was again showered in praise from Triple J and earned them the place of Independent Artist of the Week on FBi Radio. Remi also released the highly acclaimed, collaborative EP Black Hole Sun with New Zealand based MC Raiza Biza and Detroit producer visionary Black Milk, all mixed by Sensible J.

Remi’s effortless flow on “5.A.M” sways in precise time to Sensible J’s organic and world-class production, the synonymous makings of a REMI release, multi-layered in both meaning and musicality. Crossing between punctuated raps and satin-like vocals from Remi, J follows with rolling percussion that crescendos to old-school R&B choruses featuring Whosane.

“More than ever I’ve been using music to sort through and let go. I wrote 5 A.M. when I was locked in the house for a couple of days with the flu. I guess I was trying to get all the shit out of my body or something because my mind wandered to a toxic past relationship and I just needed to write about it. I hadn’t dealt with many parts of it, so there was a lot of real-time processing and redrafting before I could properly articulate the whole situation.

Sensible J, with the help of Silent J (not to be confused), had already created the perfect beat-scape for me to vent over. However, when I’d finished writing, I felt like we needed some different energy. My brother Whosane has always been one of my favourite people to work with. I love how his mind works in creative settings and I love his voice even more.

One of my favourite albums growing up was Tha Eastsidaz record presented by Snoop Dogg. I loved how people would just come in and out randomly, creating hooks inside of verses and bringing different styles to keep the music moving. That was the intention behind getting him in. He only features for 8bars but his presence is felt HEAVILY. (Many thanks to Silent J for completely flipping there beat for him!!)”

Source: AllAussieHipHop.com

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