What’s The Problem, Norman? After finishing making the music for this one,I felt it had a real ‘Sin City’ vibe to it. So when delving into the lyrics I went searching through a bunch of Frank Miller comics and found the line “Whatever is the problem, Norman?” in his comic ‘Hard Boiled’. It was odd and had a nice ring to it, and the concept of revolting against ‘Norman/normal’ is one close to my heart. The David Bowie post-chorus line came from a homeless man on the streets of St Kilda after we had just played a show in Melbourne. And the Medicine Man lines in the second verse and bridge were inspired by my time in Ecuador….. Collage by Isabel Chiara
The five nominees for Australia’s industry voted annual Australian Recording Industry Association (ARIA) awards have been announced for “Best Urban Release.” Familiar hip-hop faces in Hilltop Hoods, Esoterik of Bliss N Eso and 360 all received nominations, as did R&B/Soul singer Mojo Juju. Somewhat surprisingly, independent Sydney rapper Kerser was not overlooked this year and […]
The five nominees for Australia’s industry voted annual Australian Recording Industry Association (ARIA) awards have been announced for “Best Urban Release.” Familiar hip-hop faces in Hilltop Hoods, Esoterik of Bliss N Eso and 360 all received nominations, as did R&B/Soul singer Mojo Juju. Somewhat surprisingly, independent Sydney rapper Kerser was not overlooked this year and finally received a much-deserved nomination after many years of being unfairly ignored.
Australia’s undisputable independent king of hip-hop in Campbelltown-bred rapper Kerser has finally been recognized by the Australian Recording Industry Association (ARIA) and nominated for Best Urban Release for his seventh solo studio album “Engraved In The Game” that dropped last November. Despite his previous six albums all charting, selling well and providing a self-made platform to tour the country independently all made off his own back, an ARIA nomination had alluded him until now somehow. Kerser has proven to be one of the most influential music artists of any genre in Australia over the last decade, coming from local rap battles to selling out his own major tours like no one before him has and inspiring a new generation to rap.
With a change in requirements and name of what can be nominated this year, we see the ARIA award for this category changing from “Best Urban Album” as it has been since 2010 to “Best Urban Release” as it previously was from 2004 – 2009. This change in rules allows two releases to be in the running for consideration this year that would not have otherwise been possible. Those include the 8/9-track “My Astral Plane” E.P. by Esoterik (of Bliss N Eso) and Hilltop Hoods’ excellent single release featuring Adrian Eagle “Clark Griswold”.
The five nominees for this year’s Best Urban Release award are;
– 360’s “Vintage Modern” album on Forthwrite / EMI Australia (Album)
A comeback album of sorts, 360’s 17-track album featuring Pez, Seth Sentry, I.E., Travy P and Hein Cooper was released late last October. It is his fourth solo studio album since his debut album “What You See Is What You Get” was released in March 2008 on Soulmate Records. It was not until late-2010 that his career really started to significantly develop commercially, with the release of the single “Just Got Started” featuring Pez going Gold as well as charting at #59. A number of Platinum-selling singles followed, as well as two ARIA-nominated albums in “Falling & Flying” (2012) and “Utopia” (2014). 360 was relatively quiet on the music front since late-2014 until he came back with a bang in mid-2017. A solid and widely well-received album, 360 is a strong contender to potentially take out the ARIA award this year along with Kerser.
– Hilltop Hoods ”Clark Griswold” feat. Adrian Eagle (Single)
A single-track release from the kings of hip-hop from Australasia in the Hilltop Hoods was enough to earn them a nomination this year. This is their sixth nomination (having won with each of the previous five ARIA nominations in this category) and their first non-album nomination since taking out Best Urban Release in 2006 for their “The Hard Road” Album. They followed it up with wins with “The Hard Road: Restrung” (2007), “State of the Art” (2009), “Drinking from the Sun” (2012) and “Walking Under Stars” (2014) with all of the original releases going #1 and 2x Platinum, with the exception of The Hard Road which has earned Platinum itself so far.
Despite being an excellent song with a notable feature chorus from the talented Adrian Eagle, it does seem hard to objectively compare singles to albums in this newly reconstructed ARIA category.
– Esoterik “My Astral Plane” (E.P.).
The eight-track plus opening interlude EP on Flight Deck / Mushroom Group is Esoterik’s of multiple award-winning, 2x Diamond selling group “Bliss N Eso” debut solo release. It also features James Crooks, ASTA, Spazzy D, imbi the girl and Ev Jones. Released back in May, the EP spawned the two single “Bless Up” and “Be Like You” featuring ASTA, with the latter attracting an official KLP Remix.
– Mojo Juju “Native Tongue” on ABC Music / Universal (Album).
The excellent 16-track album released in late August is her first release since 2015’s 12-track “Seeing Red/Feeling Blue” album. “Native Tongue” debuted at #76 on the ARIA Chart upon release in its first week . The project features the talents of Lay the Mystic, Joshua Tavares and the excellent Pasefika Victoria Choir on the lead single “Native Tongue”.
The lack of a stand-alone category in the ARIA awards for “Best Soul/R&B Album” means that Mojo Juju is up against four hip-hop artists for Best Urban Release this year. In years to come it is likely that the Best Urban Release category will finally be split into two separate categories in Best Hip Hop Release and Best Soul/R&B Release. The lack of a category for Best Funk Release, Best Folk Release, Best World Release further makes it difficult for artists in these genres to also break through and win an ARIA award.
– Kerser “Engraved In The Game” on the independent ABK Records (Album).
Kerser’s 15-track “Engraved In The Game” album is his seventh solo studio album self-released in seven years and features his ABK Records label mates RATES and Jay UF, long-time collaborator Fortay (of At Large Productions) as well as talented singer Alicia Renee. The album was produced by Allrounda.
The past year has shown Kerser remains consistently strong and also spawned arguably the biggest American – Australian hip-hop single collaboration ever with “Total Concentration” featuring Future, Young Buck of G-Unit and Kerser all dropping verses over a Ghosts In The Room beat. Officially Australia’s most viewed rapper on YouTube at nearly 200 million, next year promises to be even bigger than this year with his eighth album set to drop in February, a national tour set for March/April and further potential for Kerser to develop in international markets in New Zealand, Europe, America and the UK all on the horizon. Kerser and 360 with strong album releases appear to be the two clear standout favorites to battle for this year’s award and it appears we may see a new 10th ARIA award winner for this category.
Only once has a single song won the ARIA award for Best Urban Release, in Melbourne R&B singer Daniel Merriweather’s “She’s Got Me” second non-album single off his debut Promotional EP “Merriweather” back in 2005. An EP has never been nominated previously and a single has not been nominated since Bliss N Eso’s 2006 “Up Jump The Boogie” produced by LA’s DJ Hoppa that was the lead single to their second studio album “Day Of The Dog” on Illusive Sounds. Despite dozens of nominations from New South Wales and Sydney artists over the last 14 years, only Bliss N Eso (2008) has managed to take out the top prize with their third album “Flying Colours” a decade ago.
Last year’s ARIA winners were A.B. Original (Briggs and Trials of Funkoars) with their excellent debut album “Reclaim Australia” on Golden Era Records / Bad Apples Music, fending off tough competition from Tkay Maidza, Remi, Thundamentals, and Illy. The other eight different winners for Best Urban Release since its inception in 2004 include Drapht (x2), Seth Sentry, Hilltop Hoods (5 wins from five nominations), Illy, M-Phazes, Bliss N Eso, Daniel Merriweather, and Koolism. Before there was an exclusive Best Urban Release or Best Urban Album Categories, Melbourne hip-hop legends 1200 Techniques in 2002 won the ARIA award for “Best Independent Release” with the lead single “Karma” from their debut studio album “Choose One”. 1200 Techniques were hugely influential in being the first hip-hop act in Australia to win an ARIA and subsequently broke down many barriers for hip-hop in Australia.
Hip-hop heavyweights Thundamentals – Tuka, Jeswon and DJ Morgs – bring you their fifth album, ‘I Love Songs’, their most progressive full-length yet.
Fans of the group will be familiar with their frequent political commentary, but in the midst of an increasingly turbulent society, Thundamentals have decided to focus their album on what’s been lost amongst the chaos: Love. As a result, ‘I Love Songs’ is an intensely personal listen, focusing on love in its varying forms, and showing Thundamentals’ undeniable writing ability in a more intimate light.
With the subject matter at hand, it’s no surprise that this is Thundamentals’ most effortless album, and their quickest to complete. ‘I Love Songs’ explores the isolation and broken romances that happen behind the scenes, away from the sold-out crowds and star-studded festivals. It’s an album of stark contrast, and brutally honest introspection that yearns for something more.
Buy on iTunes – Amazon – Ebay
Fresh Violet is back with an exciting new video and single ‘Natural Born Killers (feat. Mr Ruckman)’ taken from her forthcoming debut album 50 Shades Of Violet – set for […]
Fresh Violet is back with an exciting new video and single ‘Natural Born Killers (feat. Mr Ruckman)’ taken from her forthcoming debut album 50 Shades Of Violet – set for release later this year. The clip reflects a darker more playful energy from Violet, reinvigorating the sound from her 2017 single Gangsta whist maintaining the unapologetic attitude from her 2018 prelude EP ACKBARS.
Taking on a Harley Quinn and Joker styled relationship, the short film for NBK drips with inspiration from the film of the same name released in 1994. It displays Violet and Mr Ruckman on a wild rampage through the city streets, ticking off members from their hit-list with each verse. The intricately scripted, call-and-response wordplay delivers an exciting performance with unnoticed double-entendre punchlines jumping out from the duo with each listen.
Natural Born Killers unveils an impenitent honesty to Fresh Violets personality, showcasing a never before seen anger in her work, revealing one of the 50 Shades of Violet that can be expected from her highly anticipated debut album.
Thur Sep 6 The Basement Belconnen Act Supporting Mammal – Community Tour
Fri Sep 7 Manning Bar Sydney NSW Supporting Mammal – Community Tour
Following on from his most recent single ‘Trials N Tribulations’ which was lifted from the ‘Hold The Flag LP’. 19 year old rapper on the rise Krown has just released the visuals […]
Following on from his most recent single ‘Trials N Tribulations’ which was lifted from the ‘Hold The Flag LP’. 19 year old rapper on the rise Krown has just released the visuals to his second single in ‘Let Us Live’.
Originally from South Sudan Krown now resides in Melbourne. In 2017 he stepped to the plate releasing an EP appropriately titled ‘Wake Em Up,’ a project which encapsulated the experiences of young Africans living in the western world.
Krown continues speaking his truth on ‘Let Us Live’, sharing his feelings on the recent mainstream media reporting around the Sudanese community. Let Us Live is a powerful example of how young emcees are reshaping discussions in the community. Krown is an important figure in this push and Hip Hop is the prefect platform to deliver that message.
Krown’s full length LP ‘Hold The Flag’ is available now and can be streamed on Spotify below.
Australian producer Ghosts In The Room earlier this month released the four-track joint EP with G-Unit’s Young Buck titled Until Death on Mudd Music. The short but sweet release builds on the single in which they teamed up with Future and Kerser titled “Total Concentration” which proved to be one of the biggest American – […]
Australian producer Ghosts In The Room earlier this month released the four-track joint EP with G-Unit’s Young Buck titled Until Death on Mudd Music. The short but sweet release builds on the single in which they teamed up with Future and Kerser titled “Total Concentration” which proved to be one of the biggest American – Australian hip-hop collaborations yet.
Although Until Death itself clocks in at only 13 minutes long, it is also blessed with a wealth of features from Australian rappers including Manaz Ill, Mitchos Da Menace, TKO, Fortay, Omac, Cortext as well as Alabama’s Rich Boy.
Ghosts In The Room himself is a Hip-Hop producer from Australia’s capital Canberra of Mudd Music who has been producing beats since the early 2000s and cites The Alchemist, RZA and Just Blaze as key musical influences. Ghosts In The Room has worked previously with Iron Solomon, Kool G Rap, Okwerdz, Havoc of Mobb Deep, Bishop Lamont, Big Pooh, Mistah F.A.B., Block McCloud of Army Of The Pharaohs, Ras Kass, Ruste Juxx, Shabaam Sahdeeqplus a stack of talented locals over the last few years. Stay tuned for more from GITR soon.
